{"id":679,"date":"2025-09-24T00:44:45","date_gmt":"2025-09-23T22:44:45","guid":{"rendered":"https:\/\/giorgiofaedo.com\/?page_id=679"},"modified":"2025-09-30T13:18:33","modified_gmt":"2025-09-30T11:18:33","slug":"maximalizing-for-re-identification","status":"publish","type":"page","link":"https:\/\/giorgiofaedo.com\/?page_id=679","title":{"rendered":"Maximalizing for Re-Identification"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Maximalizing for Re-Identification<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Documentary<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

How do we know one another? What processes underlie the non-conscious act of identification? Could we use clothing and film maximally, as sensuous mediators to disrupt and potentially reveal entrenched processes of identification in discourse? How might the affordances of clothing and film be used to mask visual signifiers of identity and activate a viewer\u2019s body through textures, sound, colors?<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Through multiple workshops that involve assembling participants who range in race, gender and age, Maximalizing for Re-Identification discusses issues of identification. Using various forms of costuming, and coverings to mask signifiers, it intends to activate a different mode of engagement in which participants use their own body, as it occupies space, to make sense of their own identity and others. These workshops have resulted in various short films and have taken place in multiple academic and community settings.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

A collaboration with John Bruce, Diane Huang and\u00a0Anh-Ton Tran.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Maximalizing for Re-Identification Documentary How do we know one another? What processes underlie the non-conscious act of identification? Could we use clothing and film maximally, as sensuous mediators to disrupt and potentially reveal entrenched processes of identification in discourse? How might the affordances of clothing and film be used to mask visual signifiers of identity and activate a viewer\u2019s body through textures, sound, colors? https:\/\/youtu.be\/-POpeFH3Q14 Through multiple workshops that involve assembling participants who range in race, gender and age, Maximalizing for Re-Identification discusses issues of identification. Using various forms of costuming, and coverings to mask signifiers, it intends to activate a different mode of engagement in which participants use their own body, as it occupies space, to make sense of their own identity and others. These workshops have resulted in various short films and have taken place in multiple academic and community settings. https:\/\/youtu.be\/GO_C_X8uLJM A collaboration with John Bruce, Diane Huang and\u00a0Anh-Ton Tran.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-679","page","type-page","status-publish","hentry","missing-thumbnail"],"yoast_head":"\nMaximalizing for Re-Identification - Giorgio Faedo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/giorgiofaedo.com\/?page_id=679\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Maximalizing for Re-Identification - Giorgio Faedo\" \/>\n<meta property=\"og:description\" content=\"Maximalizing for Re-Identification Documentary How do we know one another? What processes underlie the non-conscious act of identification? Could we use clothing and film maximally, as sensuous mediators to disrupt and potentially reveal entrenched processes of identification in discourse? How might the affordances of clothing and film be used to mask visual signifiers of identity and activate a viewer\u2019s body through textures, sound, colors? https:\/\/youtu.be\/-POpeFH3Q14 Through multiple workshops that involve assembling participants who range in race, gender and age, Maximalizing for Re-Identification discusses issues of identification. Using various forms of costuming, and coverings to mask signifiers, it intends to activate a different mode of engagement in which participants use their own body, as it occupies space, to make sense of their own identity and others. These workshops have resulted in various short films and have taken place in multiple academic and community settings. https:\/\/youtu.be\/GO_C_X8uLJM A collaboration with John Bruce, Diane Huang and\u00a0Anh-Ton Tran.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/giorgiofaedo.com\/?page_id=679\" \/>\n<meta property=\"og:site_name\" content=\"Giorgio Faedo\" \/>\n<meta property=\"article:modified_time\" content=\"2025-09-30T11:18:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/giorgiofaedo.com\/wp-content\/uploads\/2023\/09\/0.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1792\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/giorgiofaedo.com\\\/?page_id=679\",\"url\":\"https:\\\/\\\/giorgiofaedo.com\\\/?page_id=679\",\"name\":\"Maximalizing for Re-Identification - Giorgio Faedo\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/giorgiofaedo.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/giorgiofaedo.com\\\/?page_id=679#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/giorgiofaedo.com\\\/?page_id=679#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/giorgiofaedo.com\\\/wp-content\\\/uploads\\\/2023\\\/09\\\/0-1024x686.jpg\",\"datePublished\":\"2025-09-23T22:44:45+00:00\",\"dateModified\":\"2025-09-30T11:18:33+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/giorgiofaedo.com\\\/?page_id=679#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/giorgiofaedo.com\\\/?page_id=679\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/giorgiofaedo.com\\\/?page_id=679#primaryimage\",\"url\":\"https:\\\/\\\/giorgiofaedo.com\\\/wp-content\\\/uploads\\\/2023\\\/09\\\/0.jpg\",\"contentUrl\":\"https:\\\/\\\/giorgiofaedo.com\\\/wp-content\\\/uploads\\\/2023\\\/09\\\/0.jpg\",\"width\":1792,\"height\":1200},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/giorgiofaedo.com\\\/?page_id=679#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/giorgiofaedo.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Maximalizing for Re-Identification\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/giorgiofaedo.com\\\/#website\",\"url\":\"https:\\\/\\\/giorgiofaedo.com\\\/\",\"name\":\"Giorgio Faedo\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/giorgiofaedo.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Maximalizing for Re-Identification - Giorgio Faedo","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/giorgiofaedo.com\/?page_id=679","og_locale":"it_IT","og_type":"article","og_title":"Maximalizing for Re-Identification - Giorgio Faedo","og_description":"Maximalizing for Re-Identification Documentary How do we know one another? What processes underlie the non-conscious act of identification? Could we use clothing and film maximally, as sensuous mediators to disrupt and potentially reveal entrenched processes of identification in discourse? How might the affordances of clothing and film be used to mask visual signifiers of identity and activate a viewer\u2019s body through textures, sound, colors? https:\/\/youtu.be\/-POpeFH3Q14 Through multiple workshops that involve assembling participants who range in race, gender and age, Maximalizing for Re-Identification discusses issues of identification. Using various forms of costuming, and coverings to mask signifiers, it intends to activate a different mode of engagement in which participants use their own body, as it occupies space, to make sense of their own identity and others. These workshops have resulted in various short films and have taken place in multiple academic and community settings. https:\/\/youtu.be\/GO_C_X8uLJM A collaboration with John Bruce, Diane Huang and\u00a0Anh-Ton Tran.","og_url":"https:\/\/giorgiofaedo.com\/?page_id=679","og_site_name":"Giorgio Faedo","article_modified_time":"2025-09-30T11:18:33+00:00","og_image":[{"width":1792,"height":1200,"url":"https:\/\/giorgiofaedo.com\/wp-content\/uploads\/2023\/09\/0.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Tempo di lettura stimato":"2 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/giorgiofaedo.com\/?page_id=679","url":"https:\/\/giorgiofaedo.com\/?page_id=679","name":"Maximalizing for Re-Identification - Giorgio Faedo","isPartOf":{"@id":"https:\/\/giorgiofaedo.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/giorgiofaedo.com\/?page_id=679#primaryimage"},"image":{"@id":"https:\/\/giorgiofaedo.com\/?page_id=679#primaryimage"},"thumbnailUrl":"https:\/\/giorgiofaedo.com\/wp-content\/uploads\/2023\/09\/0-1024x686.jpg","datePublished":"2025-09-23T22:44:45+00:00","dateModified":"2025-09-30T11:18:33+00:00","breadcrumb":{"@id":"https:\/\/giorgiofaedo.com\/?page_id=679#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/giorgiofaedo.com\/?page_id=679"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/giorgiofaedo.com\/?page_id=679#primaryimage","url":"https:\/\/giorgiofaedo.com\/wp-content\/uploads\/2023\/09\/0.jpg","contentUrl":"https:\/\/giorgiofaedo.com\/wp-content\/uploads\/2023\/09\/0.jpg","width":1792,"height":1200},{"@type":"BreadcrumbList","@id":"https:\/\/giorgiofaedo.com\/?page_id=679#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/giorgiofaedo.com\/"},{"@type":"ListItem","position":2,"name":"Maximalizing for Re-Identification"}]},{"@type":"WebSite","@id":"https:\/\/giorgiofaedo.com\/#website","url":"https:\/\/giorgiofaedo.com\/","name":"Giorgio Faedo","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/giorgiofaedo.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"}]}},"_links":{"self":[{"href":"https:\/\/giorgiofaedo.com\/index.php?rest_route=\/wp\/v2\/pages\/679","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/giorgiofaedo.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/giorgiofaedo.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/giorgiofaedo.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/giorgiofaedo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=679"}],"version-history":[{"count":46,"href":"https:\/\/giorgiofaedo.com\/index.php?rest_route=\/wp\/v2\/pages\/679\/revisions"}],"predecessor-version":[{"id":998,"href":"https:\/\/giorgiofaedo.com\/index.php?rest_route=\/wp\/v2\/pages\/679\/revisions\/998"}],"wp:attachment":[{"href":"https:\/\/giorgiofaedo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=679"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}