{"id":67,"date":"2023-09-03T21:39:58","date_gmt":"2023-09-03T19:39:58","guid":{"rendered":"https:\/\/giorgiofaedo.com\/?page_id=67"},"modified":"2025-10-28T19:08:58","modified_gmt":"2025-10-28T18:08:58","slug":"about","status":"publish","type":"page","link":"https:\/\/giorgiofaedo.com\/?page_id=67","title":{"rendered":"About"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"67\" class=\"elementor elementor-67\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b6939e0 elementor-section-stretched elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no\" data-id=\"b6939e0\" data-element_type=\"section\" data-e-type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-12a9e80\" data-id=\"12a9e80\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-49d61f9 elementor-widget elementor-widget-image\" data-id=\"49d61f9\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"560\" height=\"434\" src=\"https:\/\/giorgiofaedo.com\/wp-content\/uploads\/2025\/09\/PHOTO-2025-09-26-17-01-19-1024x794.jpg\" class=\"attachment-large size-large wp-image-899\" alt=\"\" srcset=\"https:\/\/giorgiofaedo.com\/wp-content\/uploads\/2025\/09\/PHOTO-2025-09-26-17-01-19-1024x794.jpg 1024w, https:\/\/giorgiofaedo.com\/wp-content\/uploads\/2025\/09\/PHOTO-2025-09-26-17-01-19-300x233.jpg 300w, https:\/\/giorgiofaedo.com\/wp-content\/uploads\/2025\/09\/PHOTO-2025-09-26-17-01-19-768x595.jpg 768w, https:\/\/giorgiofaedo.com\/wp-content\/uploads\/2025\/09\/PHOTO-2025-09-26-17-01-19-1536x1190.jpg 1536w, https:\/\/giorgiofaedo.com\/wp-content\/uploads\/2025\/09\/PHOTO-2025-09-26-17-01-19-1200x930.jpg 1200w, https:\/\/giorgiofaedo.com\/wp-content\/uploads\/2025\/09\/PHOTO-2025-09-26-17-01-19.jpg 1600w\" sizes=\"(max-width: 560px) 100vw, 560px\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-2f43dfd\" data-id=\"2f43dfd\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-9ef34e0 elementor-widget__width-initial elementor-widget elementor-widget-text-editor\" data-id=\"9ef34e0\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<p data-start=\"142\" data-end=\"324\"><strong data-start=\"142\" data-end=\"159\">Giorgio Faedo<\/strong>\u00a0(Vicenza, Italy, 1975) is a visual artist whose photographic journey began with a simple, poetic gesture: discovering a small camera inside a bag of potato chips.<\/p><p data-start=\"326\" data-end=\"690\">Since then, <strong data-start=\"338\" data-end=\"355\">improvisation<\/strong> and <strong data-start=\"360\" data-end=\"379\">experimentation<\/strong> have become the beating heart of his practice, far removed from rigid structures or premeditated plans. His work is driven by <strong data-start=\"506\" data-end=\"519\">intuition<\/strong>, <strong data-start=\"521\" data-end=\"534\">curiosity<\/strong>, and the magic that emerges from the encounter between conscious spontaneity and space\u2014a practice also inspired by his ground-level work with diverse communities.<\/p><p data-start=\"692\" data-end=\"1133\">The <strong data-start=\"696\" data-end=\"708\">darkroom<\/strong>, initially a technical space, transforms in Faedo\u2019s work into a powerful metaphor. It resonates with multiple dimensions: the collective experience of <strong data-start=\"860\" data-end=\"870\">cinema<\/strong> (shared memory, suspension from entrenched realities), the photographic <strong data-start=\"943\" data-end=\"966\">development process<\/strong>, and other \u201cdark rooms\u201d in dialogue with these ideas\u2014 the intimacy and mystery of the <strong data-start=\"1053\" data-end=\"1064\">bedroom<\/strong>, the <strong data-start=\"1070\" data-end=\"1095\">Catholic confessional<\/strong>, the <strong data-start=\"1101\" data-end=\"1116\">planetarium<\/strong>, the <strong data-start=\"1122\" data-end=\"1130\">cave<\/strong>.<\/p><p data-start=\"1135\" data-end=\"1432\">These <strong data-start=\"1141\" data-end=\"1159\">liminal spaces<\/strong> become theatres of exchange, where the subject\u2014often friends or acquaintances\u2014does not pose but acts, interacts, moves. The photographic set becomes a <strong data-start=\"1311\" data-end=\"1333\">performative space<\/strong>, dissolving the boundary between photographer and subject in a creative and vulnerable dialogue.<\/p><p data-start=\"1434\" data-end=\"1714\">Through <strong data-start=\"1442\" data-end=\"1480\">analog, digital, and filmic images<\/strong>, Faedo explores the constructed nature of <strong data-start=\"1523\" data-end=\"1553\">photographic documentation<\/strong>, embracing <strong data-start=\"1565\" data-end=\"1582\">fragmentation<\/strong> and <strong data-start=\"1587\" data-end=\"1600\">proximity<\/strong> as tools for connection. He examines how \u201csetting\u201d influences the <strong data-start=\"1667\" data-end=\"1690\">emotional resonance<\/strong> of visual narratives.<\/p><p data-start=\"1716\" data-end=\"2074\">His close investigations of <strong data-start=\"1744\" data-end=\"1759\">human forms<\/strong> reveal desiring exchanges, where <strong data-start=\"1793\" data-end=\"1835\">identity, mortality, and vulnerability <\/strong>intertwine in elusive and deeply evocative compositions. His aesthetic leans toward <strong data-start=\"1920\" data-end=\"1939\">magical realism<\/strong>, challenging <strong data-start=\"1953\" data-end=\"1969\">gender norms<\/strong> and inviting viewers to confront the invisible forces that shape perception\u2014of others and of the self.<\/p><p data-start=\"2076\" data-end=\"2202\">Faedo\u2019s works inhabit <strong data-start=\"2098\" data-end=\"2138\">academic, public, and digital spaces<\/strong>, carrying an intimate and radical vision of the photographic.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-7cd4583 elementor-section-boxed elementor-section-height-default elementor-section-height-default wpr-particle-no wpr-jarallax-no wpr-parallax-no wpr-sticky-section-no\" data-id=\"7cd4583\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-2a3e70a\" data-id=\"2a3e70a\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2797d45 elementor-widget elementor-widget-spacer\" data-id=\"2797d45\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Giorgio Faedo\u00a0(Vicenza, Italy, 1975) is a visual artist whose photographic journey began with a simple, poetic gesture: discovering a small camera inside a bag of potato chips. Since then, improvisation and experimentation have become the beating heart of his practice, far removed from rigid structures or premeditated plans. His work is driven by intuition, curiosity, and the magic that emerges from the encounter between conscious spontaneity and space\u2014a practice also inspired by his ground-level work with diverse communities. The darkroom, initially a technical space, transforms in Faedo\u2019s work into a powerful metaphor. It resonates with multiple dimensions: the collective experience of cinema (shared memory, suspension from entrenched realities), the photographic development process, and other \u201cdark rooms\u201d in dialogue with these ideas\u2014 the intimacy and mystery of the bedroom, the Catholic confessional, the planetarium, the cave. These liminal spaces become theatres of exchange, where the subject\u2014often friends or acquaintances\u2014does not pose but acts, interacts, moves. The photographic set becomes a performative space, dissolving the boundary between photographer and subject in a creative and vulnerable dialogue. Through analog, digital, and filmic images, Faedo explores the constructed nature of photographic documentation, embracing fragmentation and proximity as tools for connection. He examines how \u201csetting\u201d influences the emotional resonance of visual narratives. His close investigations of human forms reveal desiring exchanges, where identity, mortality, and vulnerability intertwine in elusive and deeply evocative compositions. His aesthetic leans toward magical realism, challenging gender norms and inviting viewers to confront the invisible forces that shape perception\u2014of others and of the self. Faedo\u2019s works inhabit academic, public, and digital spaces, carrying an intimate and radical vision of the photographic.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-67","page","type-page","status-publish","hentry","missing-thumbnail"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>About - Giorgio Faedo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/giorgiofaedo.com\/?page_id=67\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"About - Giorgio Faedo\" \/>\n<meta property=\"og:description\" content=\"Giorgio Faedo\u00a0(Vicenza, Italy, 1975) is a visual artist whose photographic journey began with a simple, poetic gesture: discovering a small camera inside a bag of potato chips. Since then, improvisation and experimentation have become the beating heart of his practice, far removed from rigid structures or premeditated plans. His work is driven by intuition, curiosity, and the magic that emerges from the encounter between conscious spontaneity and space\u2014a practice also inspired by his ground-level work with diverse communities. The darkroom, initially a technical space, transforms in Faedo\u2019s work into a powerful metaphor. It resonates with multiple dimensions: the collective experience of cinema (shared memory, suspension from entrenched realities), the photographic development process, and other \u201cdark rooms\u201d in dialogue with these ideas\u2014 the intimacy and mystery of the bedroom, the Catholic confessional, the planetarium, the cave. These liminal spaces become theatres of exchange, where the subject\u2014often friends or acquaintances\u2014does not pose but acts, interacts, moves. The photographic set becomes a performative space, dissolving the boundary between photographer and subject in a creative and vulnerable dialogue. Through analog, digital, and filmic images, Faedo explores the constructed nature of photographic documentation, embracing fragmentation and proximity as tools for connection. He examines how \u201csetting\u201d influences the emotional resonance of visual narratives. His close investigations of human forms reveal desiring exchanges, where identity, mortality, and vulnerability intertwine in elusive and deeply evocative compositions. His aesthetic leans toward magical realism, challenging gender norms and inviting viewers to confront the invisible forces that shape perception\u2014of others and of the self. Faedo\u2019s works inhabit academic, public, and digital spaces, carrying an intimate and radical vision of the photographic.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/giorgiofaedo.com\/?page_id=67\" \/>\n<meta property=\"og:site_name\" content=\"Giorgio Faedo\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-28T18:08:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/giorgiofaedo.com\/wp-content\/uploads\/2025\/09\/PHOTO-2025-09-26-17-01-19.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1600\" \/>\n\t<meta property=\"og:image:height\" content=\"1240\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data1\" content=\"2 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/giorgiofaedo.com\\\/?page_id=67\",\"url\":\"https:\\\/\\\/giorgiofaedo.com\\\/?page_id=67\",\"name\":\"About - Giorgio Faedo\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/giorgiofaedo.com\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/giorgiofaedo.com\\\/?page_id=67#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/giorgiofaedo.com\\\/?page_id=67#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/giorgiofaedo.com\\\/wp-content\\\/uploads\\\/2025\\\/09\\\/PHOTO-2025-09-26-17-01-19-1024x794.jpg\",\"datePublished\":\"2023-09-03T19:39:58+00:00\",\"dateModified\":\"2025-10-28T18:08:58+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/giorgiofaedo.com\\\/?page_id=67#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/giorgiofaedo.com\\\/?page_id=67\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/giorgiofaedo.com\\\/?page_id=67#primaryimage\",\"url\":\"https:\\\/\\\/giorgiofaedo.com\\\/wp-content\\\/uploads\\\/2025\\\/09\\\/PHOTO-2025-09-26-17-01-19.jpg\",\"contentUrl\":\"https:\\\/\\\/giorgiofaedo.com\\\/wp-content\\\/uploads\\\/2025\\\/09\\\/PHOTO-2025-09-26-17-01-19.jpg\",\"width\":1600,\"height\":1240},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/giorgiofaedo.com\\\/?page_id=67#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/giorgiofaedo.com\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"About\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/giorgiofaedo.com\\\/#website\",\"url\":\"https:\\\/\\\/giorgiofaedo.com\\\/\",\"name\":\"Giorgio Faedo\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/giorgiofaedo.com\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"About - Giorgio Faedo","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/giorgiofaedo.com\/?page_id=67","og_locale":"it_IT","og_type":"article","og_title":"About - Giorgio Faedo","og_description":"Giorgio Faedo\u00a0(Vicenza, Italy, 1975) is a visual artist whose photographic journey began with a simple, poetic gesture: discovering a small camera inside a bag of potato chips. Since then, improvisation and experimentation have become the beating heart of his practice, far removed from rigid structures or premeditated plans. His work is driven by intuition, curiosity, and the magic that emerges from the encounter between conscious spontaneity and space\u2014a practice also inspired by his ground-level work with diverse communities. The darkroom, initially a technical space, transforms in Faedo\u2019s work into a powerful metaphor. It resonates with multiple dimensions: the collective experience of cinema (shared memory, suspension from entrenched realities), the photographic development process, and other \u201cdark rooms\u201d in dialogue with these ideas\u2014 the intimacy and mystery of the bedroom, the Catholic confessional, the planetarium, the cave. These liminal spaces become theatres of exchange, where the subject\u2014often friends or acquaintances\u2014does not pose but acts, interacts, moves. The photographic set becomes a performative space, dissolving the boundary between photographer and subject in a creative and vulnerable dialogue. Through analog, digital, and filmic images, Faedo explores the constructed nature of photographic documentation, embracing fragmentation and proximity as tools for connection. He examines how \u201csetting\u201d influences the emotional resonance of visual narratives. His close investigations of human forms reveal desiring exchanges, where identity, mortality, and vulnerability intertwine in elusive and deeply evocative compositions. His aesthetic leans toward magical realism, challenging gender norms and inviting viewers to confront the invisible forces that shape perception\u2014of others and of the self. Faedo\u2019s works inhabit academic, public, and digital spaces, carrying an intimate and radical vision of the photographic.","og_url":"https:\/\/giorgiofaedo.com\/?page_id=67","og_site_name":"Giorgio Faedo","article_modified_time":"2025-10-28T18:08:58+00:00","og_image":[{"width":1600,"height":1240,"url":"https:\/\/giorgiofaedo.com\/wp-content\/uploads\/2025\/09\/PHOTO-2025-09-26-17-01-19.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Tempo di lettura stimato":"2 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/giorgiofaedo.com\/?page_id=67","url":"https:\/\/giorgiofaedo.com\/?page_id=67","name":"About - Giorgio Faedo","isPartOf":{"@id":"https:\/\/giorgiofaedo.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/giorgiofaedo.com\/?page_id=67#primaryimage"},"image":{"@id":"https:\/\/giorgiofaedo.com\/?page_id=67#primaryimage"},"thumbnailUrl":"https:\/\/giorgiofaedo.com\/wp-content\/uploads\/2025\/09\/PHOTO-2025-09-26-17-01-19-1024x794.jpg","datePublished":"2023-09-03T19:39:58+00:00","dateModified":"2025-10-28T18:08:58+00:00","breadcrumb":{"@id":"https:\/\/giorgiofaedo.com\/?page_id=67#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/giorgiofaedo.com\/?page_id=67"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/giorgiofaedo.com\/?page_id=67#primaryimage","url":"https:\/\/giorgiofaedo.com\/wp-content\/uploads\/2025\/09\/PHOTO-2025-09-26-17-01-19.jpg","contentUrl":"https:\/\/giorgiofaedo.com\/wp-content\/uploads\/2025\/09\/PHOTO-2025-09-26-17-01-19.jpg","width":1600,"height":1240},{"@type":"BreadcrumbList","@id":"https:\/\/giorgiofaedo.com\/?page_id=67#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/giorgiofaedo.com\/"},{"@type":"ListItem","position":2,"name":"About"}]},{"@type":"WebSite","@id":"https:\/\/giorgiofaedo.com\/#website","url":"https:\/\/giorgiofaedo.com\/","name":"Giorgio Faedo","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/giorgiofaedo.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"}]}},"_links":{"self":[{"href":"https:\/\/giorgiofaedo.com\/index.php?rest_route=\/wp\/v2\/pages\/67","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/giorgiofaedo.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/giorgiofaedo.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/giorgiofaedo.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/giorgiofaedo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=67"}],"version-history":[{"count":181,"href":"https:\/\/giorgiofaedo.com\/index.php?rest_route=\/wp\/v2\/pages\/67\/revisions"}],"predecessor-version":[{"id":1025,"href":"https:\/\/giorgiofaedo.com\/index.php?rest_route=\/wp\/v2\/pages\/67\/revisions\/1025"}],"wp:attachment":[{"href":"https:\/\/giorgiofaedo.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=67"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}